Showing posts with label Shoot Style. Show all posts
Showing posts with label Shoot Style. Show all posts

Friday, October 19, 2018

Pro Wrestling Love vol. 18: Best of UWF REBORN 1988-1990 (Nobuhiko Takada, Yoshiaki Fujiwara, Akira Maeda)


Hey Yo Stud Muffins & Foxy Ladies,

Pro Wrestling Love vol. 18:
The Best of UWF REBORN 1988-1990

Objective:  Break up the Greatest Match Ever Project (hosted at gwe.freeforums.project.net) into more manageable chunks to help me build my Top 100 List for the project.

Motivation: Contribute to the discussion around these matches to enrich my own understanding of pro wrestling and give a fresh perspective for old matches and even hopefully discover great pro wrestling matches that have been hidden by the sands of time.

Subject: This eighteenth volume of Pro Wrestling Love is the Top 6 countdown of the best matches to take place in UWF REBORN from 1988-1990. As with most Akira Maeda moves, this is all started with a shoot kick. Maeda kicked Riki Choshu, a main eventer and booker, for real and this led to his firing. After Original UWF closed, Maeda & Co. invaded Antonio Inoki’s New Japan. Maeda was forced out of New Japan after this confrontation and restarted UWF with Nobuhiko Takada and Kazuo Yamazaki. Satoru Sayama (Tiger Mask) did not invade New Japan and founded the first Japanese shootfighting promotion, Shooto, which may be the first successful shootfighting promotion in the world. Yoshiaki Fujiwara would stay with New Japan until 1989 when he jumped ship to his natural habitat. UWF REBORN much like its predecessor, Original UWF, burned bright but burnt out quick. They drew 50,000 fans to the Tokyo Dome no small feat using the old Rikidozan/Antonio Inoki strategy of inviting Western shoot fighters to Japan to do jobs. UWF folded in 1990 when the principal stakeholders could no longer get along. The final straw was Maeda’s refusal to work Genichiro Tenryu’s SWS promotion claiming it would damage the UWF and its wrestlers credibility. Thus the promotion folded and in 1991 three promotions sprang forth from its collapse: Nobuhiko Takada’s UWFi, who would later found PRIDE FC, Yoshiaki Fujiwara’s PWFG, whose students would found Pancrase and BattlArts, and Akira Maeda’s Fighting Network RINGS.   You can revisit past Pro Wrestling Love Volumes at ridingspacemountain.blogspot.com. You can check out the full version of these reviews in ProWrestlingOnly.com by going to the forums and finding the folders associated with the date of the match.

Contact Info: @superstarsleeze on Twitter, Instagram & ProWrestlingOnly.com.

Best Match Of All Time?


Honorable Mentions

Akira Maeda vs Nobuhiko Takada – 11/10/88
Voted the greatest Japanese Shoot Style Match of the 80s by DVDVR and revered as a classic of the genre, this comes in as an honorable mention because I found the front half of this match dreadfully dull. The second half is incredibly dramatic with an amazing comeback story narrative. The second half is wrestled at a ***** level, but I just couldn’t rate something highly when the front half is so boring. Definitely check this out and let me know what you think.

Akira Maeda vs Kazuo Yamazaki – 5/21/89
One of my more against the grain opinions is how boring I find Akira Maeda. He has all the charisma of a potted plant in my opinion. He does nothing for me on the ground. He is good for a pretty good kick or takedown every once and awhile. He is the antithesis of Fujiwara who drips with charisma and is always doing something interesting. In my opinion, this is Maeda’s best match as Yamazaki drags it out of him by being so explosive and forcing the boss’ hand to fight back.

Top Six Matches of UWF Reborn (1988-1990)

#6. Masakatsu Funaki vs Yoji Anjoh – 6/14/89

Cool to finally get a feel for some of the UWF II midcard after much pretty much nothing but combinations of Maeda, Yamazaki and Takada. The energy of this match is off the charts. Funaki bitchslaps Anjoh at the bell and IT IS ON! Amazing stand up fight brawl ensues. Anjoh hits some crazy kicks in this. There is a mule/spinkick that catches Funaki flush at one point that looked just nasty. There were some wicked headbutts too. It really should have been scored as a knockdown. This was some really great catch wrestling as you can see how they are taking down one another and positioning them for submissions. Everything is fought for and earned. I loved how many strikes there were in the mounts and the holds. They were constantly whacking each other in the face on the mat or kicking out the legs during standup takedowns. There was plenty of good pro wrestling too. Like Anjoh doing a half crab but standing on the other knee. I forget which one I think it was Anjoh kicked out of a deep heel hook by using his free leg to kick Funaki in the face. Thats how more people should have gotten out of the Anglelock. At one point Anjoh was going back for the single crab and Funaki's free foot just flies up and catches him flush in the face for a knockdown. I loved how Anjoh on a rope break for Funaki forced the ref to count Funaki down even though Funaki had already run out of rope breaks and it was going to be scored as such. It was a psychological thing. Funaki comes roaring back. Gets a Butterfly suplex and I mark out for the Butterfly Lock as that was my finisher growing up. It is actually a legitimately painful hold if you dont believe me my younger brother will attest to it. I would put my younger brother over like 90% of the time, but the couple times I would go over, it was with the Butterfly Lock so it was cool to see Funaki apply it here. We even get a Samoan Drop! The finish is insanely quick. Funaki gets a wicked legsweep. I am a mark for legsweeps, but as they go to the mat, Anjoh is able to apply a hammerlock or chickenwing it is unclear to garner the submission victory. As much as I like shoot style and now that I have watched a good amount, I still find myself having trouble rating it. Conventional pro wrestling, I am rating on narrative, character development, energy and emotion. Here I still dont have much in the way of a criteria. I find these matches are not as sticky. Conventional pro wrestling is easier to remember because it is a story. So point A causes point B causes point C so it becomes easier to remember because there is a logic. I dont want to say this devoid of logic, it is just clear to me. That being said I really enjoyed this because of the energy, struggle and ferocity. I am giving it a monster rating of ****1/2

#5. Nobuhiko Takada vs Bob Backlund – 12/22/88
UWF Reborn Match of the Year, 1988

A weird dream match that happened that no one besides me thinks as a dream match. These are two of my all-time favorites hooking it up in their prime. I used to watch the shit out of this but it had been four years since I seen it.

First ten minutes: Bob Backlund is fucking great isn't he? Takada throws a check kick to say this ain't the WWF anymore. Backlund takes a bunch of kicks to the face because he is a man. Then catches one and dumps Takada on his ass. Then dances around because he is Bob Backlund. Lots of great struggle on the mat. At first I was worried Backlund would have the amateur wrestler in MMA problem where he can take down at will but can't finish. He gets a good leg bar early. I like how he clasps his hands on the cross armbreaker. Thank you! He forces a break with a tight Camel Clutch. Takada comes back with a leg bar to force a rope break. Takada throws a bunch of Muay Thai knees in the clinch and Backlund responds with a back Suplex to get a down. Backlund throws his weight on an armbar to force another break. Takada tries to pop up so Backlund pops him in the mouth with a wicked right forearm to get another down. Takada Fucking Unloads. Kicks, back Suplex more kicks and Backlund is finally considered down and ref starts his count. Absolute war thus far. 

Second ten minutes: Slowed down here but the struggle is so intense. Dripping with effort on the mat. I love how Backlund's solution to everything is to Bridge out on his neck. Cross armbreaker bridge out. Full mount bridge out. Heel hook bridge out. Backlund was selling and working like a horse for everything. He lost a break on single leg crab. Takada realizes he can't handle Backlunds freaky strength on the mat so just kicks him in the face really hard and draws blood from the nose and two more counts from ref. 3-2 on downs favoring Takada. Takada wants a Suplex so Backlund gets a ferocious hip block takedown and drops into an armbar. Bob Backlund shoot style is awesome.

Last Five Minutes: insane finish run. Backlund gives Takada a shiner. He was fucking popping him with those forearms. Big Butterfly Suplex by Backlund! FU OUT OF NOWHERE BY BACKLUND! Sleeper! Crossface Chickenwing? Can't get it. Backlund gets legbar and Takada just wails on him in the face with his free leg. Takada kicks the dog shit out of him. Single leg crab doesn't get down. Backlund is bloody and Takada is bruised. Deep double wrist lock by Takada and the ref calls the match for Takada TKO. Backlund is confused and it is the Iron Sheik all over again. 


This was wicked exciting. It is not the prettiest or most logical match. But shit is always going down and the struggle for holds is ferocious. Once Takada explodes Backlund's nose the match becomes a total banger. They just ripped into each other. Anyone who has seen Backlund/Valentine knows Backlund is made for this style. God I wish Valentine wrestled in UWF! Huge feather in Backlund's cap showing why he is one of the best.

#4. Yoshiaki Fujiwara vs Kazuo Yamazaki – 7/24/89

I was kinda dreading this because it is 30 minutes and I dont think shoot-style should go more than 15. I know, I know who am I to doubt Fujiwara?

First Half: Really fun front half. When we discuss shoot-style we dont use the word "fun" that much but this was fun. The best spot was Fujiwara feigning a knockdown as if to say "You really think you had me down for a nine count from what little kick to the midsection?". Fujiwara was such a jackass. After being a dick about faking a knockdown, he lures Yamazaki into the corner and headbutts him instead of giving him a clean break.  Then he just unloads a barrage of stiff body shots that puts Yamazaki down. Yamazaki gets back up and only takes a couple more body shots before he is down again. I know that was just the last 3 minutes or so of the first half, but what an incredible three minutes. I enjoyed the work prior to that. Fujiwara delivered a nasty headbutt in the opening lockup. Destroyed Yamazaki in the kick game. There was a great moment when Yamazaki had a kneebar and Fujiwara thinks about a rope break. He thinks better of it. He puts his forearm on the throat of Yamazaki and cracks him with a palm strike. What an asshole. Guess what, he counters into his own leg lace and Yamazaki has to use his rope break. Delivered a badass Fisherman's suplex. So was this a squash? No. Yamazaki was able to counter a Fujiwara armbar and attempt his own. His best moment came when Fujiwara hit the a Fisherman Suplex and didnt know what to do next. Yamazaki was able to get a double wristlock then choke, Again, Fujiwara proved to be better as he was able to get a really deep toehold. When Yamazaki tried to use his free leg to free himself, Fujiwara grabbed that and put Yamazaki in a really deep toehold. I hate, hate the term carryjob. But man reflecting on what I watched and writing this, it does feel like a Fujiwara carryjob, but damn if it hasnt been fun as fuck so far. 

Second Half: Yamazaki looks like such a tool in this match. He is throwing spinwheel kicks that barely connect and Fujiwara just looks down on him like "What the fuck is wrong with you?" Fujiwara is able to get back to back leg submissions that force rope breaks and so he scores another down. I literally say out loud, "Yamazaki you suck, do something" at this point. I finally realize he is throwing the axe kick as feint to set up a roundhouse kick. He finally connects with one to mush but Fujiwara is back up at nine quickly to say that one didnt phase me that bad. Yamazaki kinda spooks Fujiwara with a couple kicks and you can tell these actually affect Fujiwara because he roars back and a couple swift body shots for the fourth knockdown. Fujiwara is such a cocky prick. He announces he only needs one more knockdown and holds out one finger. Yamazaki has such body language at this point. He looks like a man that is defeated and has no fight left in him. At one point, a firefight breaks out and he catches Fujiwara with a kneelift that stuns Fujiwara and scores a knockdown. I am rooting hard for Fujiwara at this point and would hate to see him choke. Yamazaki delivers a brutal headbutt and pops Fujiwara in the mouth so hard he bloodies him. OH SHIT! It is on! Fujiwara just starts leading with his head. He is a fucking Yamazaki-seeking missile. He cracks Yamazaki hard under the eye, I think drawing blood and a TKO victory. Wild finish!

If someone says Yoshiaki Fujiwara is the greatest pro wrestler, I wouldnt bat an eye. This is the Fujiwara show and just enjoy it. What knocks this down from the tippy toppy and thought Yamazaki was just a load in this match and didnt contribute much. Fujiwara was glorious in this match. Watch him work! ****1/2

#3. Yoshiaki Fujiwara vs Nobuhiko Takada – 10/25/89

I have preached this so much and I think this a perfect example of the mantra "The drama should be in applying the hold not escaping the hold". This front half of the match just drips with struggle. It has a huge fight feel. Two equals taking each other very seriously. There are so many quick, sudden movements on the mat as they each are trying to gain the most advantageous position for a finishing submission. Takada ends up in a legbar and he is immediately selling and lunging for the ropes and gets the break. Thats great psychology. There were so many holds exchange that were half-applied, but once one was fully applied the mood changed. It became very serious. You can see how Takada's game plan changed immediately. He started throwing kick after kick to the left leg of Fujiwara. Takada's forte is stand-up. There is another great moment on the ground. Takada has his hands clasped and Fujiwara is just on top of him. To the untrained this looks boring, but God is it tense. As soon as Takada breaks his clasp, Fujiwara will pounce. Takada has to break his clasp because Fujiwara is in control. In a shoot fight, Takada is fucked. Since this is shoot-style, we can suspend our disbelief and believe Takada knew that Fujiwara would try for a double wristlock and thus could counter into the cross armbreaker. Takada's move was fully applied and Fujiwara's was not and thus it is Fujiwara scrambling for the ropes. Again the tension and the drama is in who can apply the hold, once the hold is applied it is a mad dash for the ropes. That is how you respect the hold. Takada goes back to work on the legs. Fujiwara tries to throw his own kicks, which was never his forte. If he is going to throw a strike, it is a headbutt BANG! Thats what we get, it is a delayed register, but Takada goes down in a heap for the first knockdown. The symmetry in this match is incredible. Takada responds by finally chopping down the old cherry tree with his kicks as Fujiwara is forced to take a knee from a flurry of kicks for his first knockdown. Fujiwara tries to scissors the legs but Takada sits outs and now Fujiwara has no leverage. Single leg crab, great labored breathing from Fujiwara he struggles to ropes. Amazing selling from Fujiwara and he is easy pickins for Takada who cracks him in the leg again for a second knockdown. Takada opens a big lead as a wild roundhouse kick to the midsection and then one to face sends Fujiwara reeling into the corner. Takada overwhelms him with kicks to the head for the third knockdown. Takada falls prey to another headbutt in a knucklelock. Why would you ever knucklelock with Fujiwara? Especially this has been his most successful strategy. Takada goes for a knucklelock, but then thinks the better of it crosses over such that his right hand will be linked with Fujiwara's right hand which should take some of the power away from a headbutt. Takada gets another wild roundhouse kick, but this time cant follow up in the corner. He cups Fujiwara in the ear on a lock up which is a receipt for the headbutts in the lock up. It is now 4-2 Takada! Do or die time for Fujiwara! You know what that means! Kidney punches and body shots! 4-3! Takada tries to use the ref as a shield as he knows Fujiwara is lying in wait, but to no avail. Takada weathers the storm and almost has Fujiwara off his feet...only the ropes are holding Fujiwara up when...Fujiwara lunges forward and butts him with his head! IT IS 4-4! Next knockdown wins! Takada kicks out Fujiwara's leg for the close victory. The ref seems uncertain to call it a knockdown, but to be consistent has to and Takada wins via TKO. 


The crowd is a bit confused because it was a judgment call. Based on the calls earlier in the match it was definitely a knockdown, but it was NOT a definitive knockout blow. Clearly that was on purpose these are two of your three biggest stars and you want rematches so there has to be some protection. The opening matwork was engaging and compelling for the reasons I outlined above. The stand up portion of the match was intensely dramatic. Great selling from Fujiwara, awesome strategy from Takada and then Fujiwara mounting a massive comeback using basically just headbutts and kidney punches was crazy. Definitely one of the best shoot-style matches ever that had pro-style elements (Fujiwara's leg selling and Takada targetting a body part) and I think it was those pro-style elements that made me like this so much. Maybe Takada's best match ever

#2. Masakatsu Funaki vs Tatsuo Nakano – 7/24/89
UWF Reborn Match of the Year, 1989

Funaki should have been a massive star in puroresu in the 90s. Funaki vs Tenryu, Funaki vs Takada, and Funaki vs Hashimoto should have been huge draws. 


Holy shit! What a match, I thought the Anjoh match was great, but this was superb. Balls to the wall for ten insane minutes. It is just a wild shoot style brawl. Nakano is a huge favorite. The crowd is red hot and they are chanting for Nakano throughout. The first three minutes are brutal and electric. Funaki explodes Nakano's face with palm strikes. Funaki gets cut right under the eye by a vicious knee and it looks like he is crying blood. It is unconformable. Funaki gets spiked on his head because he refuses to go over a take down at one point. The trainer has to tend to Nakano. Nakano is the first one to score a knockdown as he escapes a leg lace and blasts Funaki in the head with a kick. Funaki is one of the best shoot-style sellers I have ever seen. He comes up woozy. Who knows if he was selling? Funaki's matches always incorporate really cool organic throws. I love him not letting Nakano complete a Dragon Leg Screw and just stomping on his head. Yes! Yes! Yes! Pro wrestling needs more of this. Pro wrestling should not be easy. Funaki gets a wild spinkick that pops me and then a back drop driver for his first knockdown. That spinkick would make Kawada jealous. He nailed it. Nakano is a bloody mess in the single leg crab. Nakano is kind of a humpty-dumpty looking muthafucka. Trainer is back in. Nakano says he is ready for more punishment. This has been a war. I could see Inoki absolutely loving this. This is Inokiism at its finest. Funaki attacks the knees once the trainer leaves. Nakano thrust kick creates separation and then a roundhouse kick to the head downs Funaki. Wicked suplex/DDT from Nakano. Funaki EXPLODES~! Palm strikes, headbutts and in his furious flurry he leaves himself open for Nakano counterattack who pops him with a knee. This is an insane ending just a wild brawl. Nakano throws a snap German Suplex into a Single Leg Crab and Funaki writhes out. Funaki picks Nakano up and just does a wicked Somersault Alabama Slam! WOW! DEEP BOSTON CRAB! Liontamer-esque and Nakano has to tap out. WOW! I am speechless. A shoot-style brawl that just delivers in spades.

#1. Yoshiaki Fujiwara vs Nobuhiko Takada – 10/25/90
UWF Reborn Match of the Year, 1990

I love Fujiwara! I love Takada! Does it live up to the hype?

First Half: Fujiwara is a genius. Best defense is a good offense. Takada definitely relies on his stand up game and especially his kicks to establish his offense. Fujiwara takes that away by being so damn pugnacious. From the opening bell, he is lunging at him headlong with headbutts and attacking the body. Takada is covering up as best he can and just trying to weather the storm. Takada is going for holds more out of defense and trying to break Fujiwara's momentum more than anything else. The double wristlock out of the German and the heel hook was to save himself from the barrage of headbutts. It was almost like Takada was trying to get his wits about him. The leg work which i usually find boring as hell in Takada matches was great here because of how much struggle there was. Fujiwara's snarl and labored breathing added so much as did Takada's facial expressions. My favorite moment of the match thus far was when Fujiwara had one hand on Takada's throat and then started throwing headbutts to break the submission. Great selling from Takada. I brought this up in October 25, 1989 match is how well the drama was built in the application of the holds. In the next ground grappling session, once Fujiwara locks in a kneebar Takada is scrambling for the ropes and selling it upon standing up. That puts over the move and invests everyone in the match. Also, I really loved how Takada was not completely overwhelmed. An important point in the match was when Fujiwara had him in a wicked toehold. Takada's first instinct was rope break, but he stands up and blasts Fujiwara in the ear to earn a knock down. Thats a huge swing from losing a rope break to knocking your opponent down especially a head shot. Takada came to fight. That really sold me. Fujiwara roared back. He got a knockdown in the corner with a series of WICKED palm strikes, I mean brutal. Then he got on top of Takada on the ground not to apply a hold, but rather just butt him with his head hard many times. Until the ref called him off and started his count. Thats when the match really changed. Takada had his bell rung, but so did Fujiwara it looked like to me at least. You can only deliver so many nauseating headbutts before the damage takes a toll on you. Fujiwara could no longer follow up and here came Takada with the same strategy from last October lay in those wicked kicks to the left hamstring. Fujiwara is trying to block and go on offense but as we go into the second half, Takada has built a lot of momentum targetting that leg with his patented kicks. Can Takada complete the comeback or will Fujiwara hit that miracle headbutt for the win? 

Second Half: Has Takada ever looked better on top? He was a stone cold killer in this. The kicks always look phenomenal, but in addition his palm strikes and kneelifts were brutal. Fujiwara really withstood quite the barrage before going down. Takada was just blitzing him. When Fujiwara did finally go down that look of dejection was just sad. He popped back up, but you knew Takada was rolling. I thought Takada's big mistake was going back to the ground. I get changing it up and using the the stand up game to set up a submission, but he kept getting countered. He got caught twice taking Fujiwara to the ground both times it ended a rope break. Guess what Fujiwara was up 3-2 when it felt like Takada had all the momentum. Takada only had himself to blame. The ultimate sequence when in the leglocks Takada just starts mercilessly kicking Fujiwara in the face until the ref is forced to call a down. I actually felt bad for Fujiwara. Even though earlier in the match he pulled the same shit in the match where he headbutted Takada into a submission, I felt bad for Fujiwara. Then all of sudden in the corner, Fujiwara came alive body blow after body blow forcing Takada to protect CRACK! Wicked headutt fells Takada...fuck this prick Fujiwara and fuck him for making him feel sympathy. I was hook, line and sinker at that point. Takada looked like a world beater but is down 4-3. I loved the selling after this. Fujiwara had his shit-eating grin and Takada is doing a great knocked loopy sell. Takada just keeps kicking, just keep kicking. Kidney kick has Fujiwara reeling and a kick to the bad leg AND IT IS 4-4! NEXT KNOCKDOWN WINS! Can I stop to stay how much I LOVE THIS POINT SYSTEM! It makes the matches so dramatic and it really creates drama down the stretch. Fujiwara has this MASSIVE GRIN on his face as he is luring Takada into the corner. Takada takes the bait...Fujiwara reverses position...he is working...fuck I cant believe Takada is going to lose...Takada kneelifts...Fujiwara body shots...BIG LEFT KNEELIFT TO THE HEAD ROCKS FUJIWARA...HUGE RIGHT KNEELIFT...DOWN GOES FUJIWARA! DOWN GOES FUJIWARA! Takada beats Fujiwara at his own game and much more definitive finish than their October 1989 classic makes this an easy ***** and one of the best shoot-style matches of all time. 

Sunday, March 8, 2015

Shoot To Thrill: Yuki Ishikawa, Daisuke Ikeda (Shoot-Style 2000-2006)

Hey yo Stud Muffins & Foxy Ladies:

Is there any letter combination pronounced more differently than "Ough". You have though, rough, cough and bough and none of them rhyme. No wonder the rest of the world hates us.

I would shoot all over those


Contrary to belief of many non-wrestling fans, I think trying to understand pro wrestling as a simulation of real fighting is missing the point. However, for those non-wrestling fans that does exist and it called Shoot-Style. The history of Shoot-Style is for a much better wrestling historian than me to describe. To oversimplify it begins with New Japan Pro Wrestling Founder and Legitimate Badass, Antonio Inoki. Inoki built his credibility on Mixed Martial Arts exhibitions, most famously against Muhammad Ali. It has been remarked that Inoki's leg kicks took many years off of Ali's boxing career. Inoki is a world famous grappler in both pro wrestling and MMA worlds. Even though Inoki fancied himself a legitimate competitor his New Japan Pro Wrestling like all Pro Wrestling companies featured pre-determined matches and was booked like a normal pro wrestling company. In 1984, the likes Akira Maeda, Tiger Mask (Super Tiger in UWF), and Yoshiaki Fujiwara  formed the UWF  a shoot-style promotion, which would feature worked finishes, but worked in a more realistic fashion. The UWF folded over visionary disputes between Super Tiger & Maeda and the UWF invaded New Japan. Back in New Japan, Maeda was in two of the more infamous shoot moments in pro wrestling history when he shot on Andre The Giant when both refused to job and when he broke Choshu's orbital bone with a kick. The latter caused him to get fired and the New UWF was started. The UWF would bury New Japan and All Japan as fake and worked while they were legitimate. Of course, they worked matches like the rest, but their style based on submissions and kicks was supposed to simulate what a real match would look like as the wrestlers were well-versed in Catch Wrestling, Amateur Wrestling, Kickboxing and Judo. The shoot-style would splinter into different promotions in the early 90s such as Takada's UWFi (the most popular). Fujiwara's PWFG (I don't know much about), Maeda's RINGS (the most realistic and a eventually a legitimate shoot promotion) and Minoru Suzuki's Pancrase (which was a mixture of shoots & works).  RINGS is how famous MMA heavyweight Fedro Emelianenko debuted and many RINGS matches are counted towards people's official Sherdog's MMA record even though they were works. PANCRASE featured the Shamrock brothers and again Sherdog has a hard time discerning work from shoot. UWFi was the home promotion of "Gracie Hunter" Kazushi Sakaruba. This all to point out that in Japan the difference between work and shoot was often blurred. UWFi folded in 1996 and much like in 1984, Takada invaded New Japan and did gangbusters in box office. As New Japan was doing big business with real judoka, Naoya Ogawa against Shinya Hashimoto, Nobuhiko Takada's newest venture would change the course of puroresu history: PRIDE Fighting Championships.

PRIDE changed the game for pro wrestling and MMA in Japan. PRIDE was a shoot and in doing so effectively killed shoot-style and greatly hurt pro wrestling's draw in Japan. Inoki became obsessed with his wrestlers competing in MMA when they were not suited for that competition and pushing MMA fighters when they were not suited to being great pro wrestlers.  At least pro wrestling is different enough from MMA that there is value in watching pro wrestling, but who really wants to watch a simulated version of the real thing and thus shoot-style was dead in the water. There were brief resurgences here and there. The most meaningful in 2008 when BattlArts just uncorked one fucking great match after another that year, but up until then there was just a smattering of shoot-style matches. Former RINGS grapper, Kiyoshi Tamura tried to recapture his former shoot-style glory by founding the U-Style promotion, but while there were a couple great matches, its existence was short-lived. Shoot-style God, Yuki Ishikawa was the most active in this time period and would be the reason for the BatBat resurgence in 2008. His 2005 match with arch-rival Daisuke Ikeda is a top 20 match of the decade and proof positive that shoot-style still has a place in the modern landscape with MMA being prominently promoted.

One of the things, I need to catch up on is all the great shoot-style of the 90s and the 00s just whetted my appetite. Shoot-style can be a little dry, but more of than not it is very rewarding in the exciting finishes with crazy strike exchanges and submission battles. I definitely recommend checking out some shoot-style to broaden your horizons.


Match Listing:

Yuki Ishikawa vs Kazunari Murakami - BattlArts 11/26/00 ****
#98 of 100
Very heated. Murakami's relentless strikes vs. Ishikawa's ground game. Bit anticlimatic

Kiyoshi Tamura vs Tsuyoshi Kohsaka - U-Style 02/04/04 ***3/4
Great matwork, but a bit showy and exhibitionary at times. Hot finish.

Kiyoshi Tamura vs Hiroyuki Ito - U-Style 08/18/04 ****
#77 of 100
Great underdog vs veteran story with underdog swinging for the fences and the vet having to dig himself out of a hole

Yuki Ishikawa vs Daisuke Ikeda - FUTEN 4/24/05 ****1/2
#18 of 100
BRUTAL! Violent! They hit each other really fucking hard and it is very enjoyable. 

Yuki Ishikawa vs Alexander Otsuka - Big Mouth Loud 9/11/05 ***
More of a NJPW Strong Style match with a lot of fun highspots like a Frankensteiner into a Triangle.

Osamu Nishimura vs Hiro Saito - MUGA 08/02/06 ****
#87 of 100
Amazing selling in this old school affair where every move proved consequential. Suspect finish.

Osamu Nishimura vs Tatsumi Fujinami - MUGA 9/25/06 Two Out of three Falls ****
#86 of 100
Another great old school match with an awesome King of the Mountain sequence leading to a surprise finish.



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Yuki Ishikawa vs Kazunari Murakami - BattlArts 11/26/00


Stay Calm and Keep It On The Mat is Ishikawa's mantra as Murkami tried to unsettle him with his relentless fury of strikes. Murakami and his WHAM! Eyebrows look to knock Ishikawa out early with strikes, but Ishikawa keeps his head down and  before you know it he has Murakami on his back. I loved how heated this was and how Ishikawa was able to counter Murakami's uptempo style by constantly picking for mistakes. Murakami gets a flurry of kicks in and Ishikawa powders. Then we get absolutely awesome crowd brawling with them wiping out a bunch of chairs. I would say the only disappointing element was that the finish was so quick. Murakami bringing Ishikawa back in hardway with a rear naked choke was fantastic, but just as he was looking in command is when Ishikawa caught his foot and punched him in the face. An enziguiri into a rear choke was enough to force the submission. The finish suited the match well enough, but this left me wanting more. ****

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Kiyoshi Tamura vs Tsuyoshi Kohsaka - U-Style 02/04/04

Tamura piqued my interest in his match with Ito. I always put delving more into Shoot Style off so I thought I take advantage of another Tamura match among the nominated matches. As a shoot-style novice, I do not know if I really could appreciate the beginning of this match. The work was really smooth and they were always moving, but it felt a little too showy like they were putting on an exhibition. I got the sense that Kohsaka was outworking on Tamura on the ground as he was chaining his moves together better and forced the first rope break at around the 10 minute mark with the guillotine choke. As good 'ol JR would say business is about to pick up as they fired off a thrilling a finish sequence. I liked Tamura responding to the first point loss with a stand up barrage to secure a knockdown and loved the knee that caught Tamura in the midsection in the fracas to put Kohsaka up 4-3. They sequence felt really organic. This is where my shoot style naivete maybe rearing its ugly head, but how come Kohsaka did not sell Tamura's deep half crab after the hold. He was screaming and selling in the hold and the nothing. I get the "real" sports argument you dont show weakness but just a little limp or favoring of that knee would have added. Also are closed fists allowed because Tamura used them liberally to break up submissions late? With Tamura down 2-1, Kohsaka goes for the home run, rolling heel hook, that Tamura counters into a cross-armbreaker in the center of the ring. I thought there were better submission sequences earlier that could have been used as the finish. I will probably appreciate this more once I watch more RINGS. Still I love great matwork and this was very well-executed. ***3/4

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Kiyoshi Tamura vs Hiroyuki Ito - U-Style 08/18/04

With the emergence of MMA in Japan, it spelled the end for shoot-style promotions, which were not as differentiated as their pro wrestling brethren. Shoot-style lives in this weird no man's land. It is essentially the worked version of MMA. I have never seen pro wrestling as the worked version of MMA. In fact, I think a lot of non-fan's hangups with pro wrestling come from the fact they are viewing it through the wrong prism. Wrestling is a carnival attraction and it adapts itself to the times. Shoot-style is the sub-genre of pro wrestling that is the closest replication of actual MMA. I have enjoyed what I have seen of the style (Takada's UWFi), but I am no expert. For instance, this is the first Tamura match I have seen even though I know the ballyhooed Volk Han series in RINGS (I have never seen a RINGS match) is very heavily promoted by the shoot-style proponents. Thus it is hard for me to rate this match in the context of this project. I liked this match a lot, but even though all the matches are worked it still feels like comparing apples and oranges.

Tamura is the ace of promotion and a well-known talent in the shoot style community and a reasonably successful MMA fighter in Pride and such (sporting a record of 32-13-3). Ito is someone I do not know and I suspect was a heavy underdog. Ito definitely prescribed to the adage "a good defense is a great offense" as he came out swinging on every occasion. In fact, for the first half the match he dominated Tamura forcing him to take two rope breaks utilizing palm strikes, knees to the head, triangle chokes and cross armbreakers. Even though, he was put into an early hole, Tamura never lost his cool and wrangled a leg lace, but Ito was able to get a leg lace of his own, but eventually Ito had to use the ropes to escape. After Tamura caught a kick and applied a heel hook, Ito lost his second point.  With the match leveled, Ito concentrated keeping the fight off the ground and tried to win by knockout. They trade knockdowns, but Ito definitely is the more offensive fighter. Tamura presses an advantage and Ito sells his high kicks really well, but Ito is able to sneak in a palm strike to the face to knock him down. One more knock down and Ito wins. Tamura wakes the fuck up and takes Ito to town. He catches Ito's kick and turns it into a half-crab for the win.

I loved Ito taking it to the strong favorite, Tamura at every chance. His performance was so urgent and there was a real sense of struggle on the stand-up. No one would confuse this ground game for an MMA match, but they kept it moving. Besides the dueling leg laces, every submission was sold like it could end it. The real highlight of the match is the very dramatic stand-up sequence with both fatigued and just going for broke. It was very well laid out to have Tamura back up against the wall throwing bombs only to finally catch Ito's leg and finish via submission. I would not say a match of the decade contender, but a very good match. ****  

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Yuki Ishikawa vs Daisuke Ikeda - FUTEN 4/24/05

A Japanese Shoot-Style promotion that allows closed fists, my prayers have been answered! As soon as the ref breaks them, Ikeda punches Ishikawa right in the face to get an early knock down. Ikeda never really looks back earning 4 knockdowns and forcing 2 rope breaks to Ishikawa's one knockdown and 2 rope break forces. These punches are incredible how they are laying them in. I was watching Ishikawa punch Ikeda right in the face on the ground and could not believe the force. Ikeda seems better at take downs, striking and submissions. Ishikawa just has crazy resilience and even crazier hair. They work their double wirstlocks from odd angles sometimes. They are definitely better off standing up. I love that Ikeda would not break his leg lace, but once Ishikawa reversed it, he was desperately grabbing the ropes. Ikeda absolutely ripped up Ishikawa fact with boot lace kicks. Is Randy Orton secretly a huge Daisuke Ikeda mark? Ishikawa makes his big comeback with a pair of back drop drivers. Ikeda is definitely the better "pro wrestler" of the two based on how he sells and feeds Ishikawa. I love him climbing up the ropes trying to escape it. Ishikawa ends up closing the gap earning 5 knockdowns and forcing 3 rope breaks against Ikeda's six knockdowns and 3 rope break forces. FUTEN does not use a point system, but it is interesting way to keep tabs on the flow of the match. Ishikawa finally forces a submission with a crossface chickenwing. I preferred the drama of Tamura's U-Style matches with the point system, but this had the way better striking. I am going to put this somewhere around the Tamura/Ito match given it is hard for me to place shoot-style match still at this point even though I really enjoy them.

REWATCH THOUGHTS:
That one Ikeda six inch jab to Ishikawa's face coming out of a rope break followed by a wicked, wicked kick to the head was batshit incredible. I stand-by complaint that this was not the best when they took it to the mat. I have definitely seen Ishikawa have better mat-based performance. The stretch run with Ishikawa's face getting destroyed and bleeding profusely from the mouth was riveting. The suplexes and then crossface chickenwing submission was just the cherry on a sundae with extra bite.


 ****1/2

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Yuki Ishikawa vs Alexander Otsuka - Big Mouth Loud 9/11/05

This was not as shoot-style as the competitors listed would led you to believe. Big Mouth Loud used a lot of shoot-stylists and New Japan wrestlers disillusioned with Inokism. It seemed to be closer to the 80s/90s New Japan style than to Shoot-Style. I still had trouble comparing this match to other puroresu. I think it is due to more subtle selling. They register pain, but do not actually sell the pain. It can come off like moves are inconsequential when they are not. I liked Otsuka quite a bit. He was good on the mat constantly outwrestling Ishikawa and getting him in heel hooks. He had some nasty headbutts in this match. Plus he brought out the highspots: Giant Swing, German Suplex and the best, Frakensteiner (as called by announcer) into a triangle choke. I would lose my shit if that ever happened in an MMA match. Ishikawa was his usual badass self. He worked hard and really sold the threat of Otsuka. He had some nasty, nasty punches. I loved his incorporation of throws late by converting a heel gook into a sick, sick, headrop German. Then using a sweet knockout punch into a sleeper for the win. It is an entertaining match that finishes really well, but it is definitely nowhere near Ishikawa/Ikeda or Tamura/Ito. ***

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Osamu Nishimura vs Hiro Saito - MUGA 08/02/06

One complaint I think you can't levy at Japan as a whole in the 2000s is a lack of variety. Yes, the NOAH style was dominant in terms of getting the most praise, but that bombastic style was limited only to NOAH. You had the American/puroresu style of All Japan, the more mat & strike based style of New Japan (Inokism or Strong Style), the lucha/comedy hybird of Dragon Gate, shoot-style promotions and to add to the list we have MUGA. MUGA was headed up by New Japan legend Tatsumi Fujinami to turn the clock back to late 70s and early 80s when men were men and European Uppercuts and Spinning Toeholds were the end all be all of wrestling. I wish we got more of it during this project.

Hiro Saito is built much like the more famous Masa Saito (no relation), but maybe a bit shorter. He was a junior heavyweight for New Japan and All Japan in the 80s and 90s before the junior heavyweight boom led by Liger. At this point, I'm hard pressed to believe he would meet the weight limit bu then again Shuji Kondo was able to, but I think he is a pretty short dude. Nishimura is someone I enjoy, but has yet to blow me away in any match. In fact, my favorite match may have been the random match with Al Snow I watched from ECW Hardcore TV in January of 95 the other night. Rest assured, Nishimura finally knocked one out of the park with Saito in this match.

Nishimura shows up Saito a bit early and Saito gets a bit peeved and starts throwing furniture around. Saito is the more powerful of the two and is able to cinch in an armbrar and transform it into an All Japan surfboard spot. Nishimura gets a big pop for reversing it. Nishimura works a headlock like he is Lou Thesz. The face I can accurately say that is why the Chicago Film Archive has to be commended for doing God's work. Nishimura grabs a sleeper, but Saito hits a jawbreaker. The selling from Nishimura is amazing as he writes in pain. Saito hits his famous senton (according to Wiki, he invented that move). Nishimura bails to the outside for a breather. They work an amazing king of the mountain sequence where Saito keeps find new ways to snap Nishimura's throat across the ropes. It was amazingly compelling wrestling. Nishimura needed to break up the momentum of Saito, but is now paying the price. They do a great ab stretch hope spot, but Saito wins. He goes for the coup d'grace in the form of a piledriver, but Nishimura counters. They do the bridge/backslide counter. Nishmura dumps Saito outside who jams his knee. On two separate occasions, Nishimura whiffs on a knee drop to the outside, but they sell a  countout finish anyways. Saito gives Flair a run for his money in terms of great verbal selling and really making this credible. Nishimura has to stand Saito up just kick his leg out from under his leg. :)

Nishimura actually misses the knee drop this time. Saito hits two bridging Germans and is able to hold him down on the second. He couldn't stand, but he could bridge. I don't know about that one. The selling was off the charts in this one. Nishimura trying to fight just to get back into the ring was very compelling. Saito's selling of the knee was so great that it makes the finish all that much more curious. ****

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Osamu Nishimura vs Tatsumi Fujinami - MUGA 9/25/06 Two Out of three Falls

Nishimura's performance in this reminded me of Sasuke's in Sasuke vs Dragon or Suzuki's in Suzuki vs Mutoh. They are all giving these out of the world great performances, but their opponents are just not up to snuff. It is interesting because Dragon, Mutoh and Fujinami had all slowed down a lot in terms of output in the middle of the decade. You could see they could still be carried by an opponent that was firing on all cylinders, but they just did not have enough gas in the tank to match their opponent.

If the tone set in the first fall was maintained throughout the match then you would have a MOTDC on your hands. Nishimura starts off aggressive with European Uppercuts that would make Dory Funk Jr. proud. Fujinami seems a bit taken aback, but is able to use the aggression against him and snap off a Dragon Leg Screw. He goes for the Figure-4, but an inside cradle nabs the first fall for Nishimura. It only lasted under a minute, but it was an incredible fall.

The second fall they get a little too cute for me. They seem more keen on showing off. Instead of flips, it is bridge outs and double wristlock takedowns. An exhibition is an exhibition. Fujinami rides high on a leg lace and gets caught in a short arm scissors. Nishimura applies a cross-armbreaker. The New Japan timekeeper has the hammer raised in case there was  a submission and I agree with him. If you respect the cross-armbreaker, I respect you. I do NOT respect you, Mr. Fujinami. Of course, I am being facetious, but it is my number one pet peeve when wrestlers treat the cross armbreaker like a headlock. It is at best them not keeping up with the times and at worst being ignorant and lazy. Yes, I thought Fujinami's performance was lazy at times. This match is the ultimate missing the forest for the trees match. You have Fujinami doing great little things like lunging for the ropes with his feet, but not selling his arm. Or Nishimura working the injured finger of Fujinami while in a cross armbreaker, but why does it matter because Fujinami has killed the viability of the cross armbreaker as a finish. To be fair to Fujinami, Nishimura did bridge out of a cross-armbreaker, which is pretty ludicrous. Basically this match took a big shit on the cross armbreaker.

Now, once the match moved from Nishimura on offense to Fujinami on offense the match got a million times better. Just like the Sasuke match, Dragon was not interested in selling and neither was Fujinami. However, put them on top and have the wrestler who wants to work on bottom and you got magic. Fujinami goes after Nishimura's knee with a swift low kicks like Inoki in Inoki/Ali. Nishimura bails. Fujinami targets the knee, but Nishimura in desperation goes for Fujnami's knee with a spinning toe hold, shades of Dory Funk Jr, BABY! Fujinami kicks him off and a figure-4 knots it all up.


What I love about Nishimura matches, is you understand how this can be a double edged sword. Yes, you are getting time to walk it off and break up your opponent's momentum, but you are giving him the high ground. With the high ground, the opponent can dictate the match and make it very difficult for you to get back into the ring. I used to say that Akira Taue was the undisputed king of working the apron, but damn if I see more Nishimura that could change. Nishimura rocks Fujinami with a European Uppercut and crashes burns with a bombs away knee drop. What a dumbshit! He blocks the figure-4 and is able to bail. Nishimura is fed up with all this bullshit on the apron and says you want my knee you can have it, but you will not have ME, FUJINAMI! Fujinami attacks the knee and pulls him into the ring. He applies the sleeper to sap that last bit of fight out of him. Fujinami applies the figure-4 and just when you think he has it, Nishimura reverses the pressure and Fujinami has not alternative, but to submit.


This is pretty much on par with the Saito match. Saito does not feel as much of a threat as Fujinami even though he wins the match so this match had more in terms of drama. Saito works a lot harder than Fujinami, who only seemed interested in being on offense. Nishimura gives two tremendous performances within two months of each other. We need more Nishimura footage. The finish is a lot hotter in this one and that is usually my tiebreaker so I have this one edging out the Saito match. ****